Together with screenwriter Matt Lopez, he’s shifted the traditionally Wasp-y tale into more diverse, and dramatically interesting, territory with a Cuban-American family at its centre. It’s such a familiar set-up that our minds instantly go to sitcom territory – dad with wagging finger, daughter with hands on hips – and so to its credit, Mexican director Gary Alazraki’s straight-to-streaming redo manages to feel bigger than that, not just because it looks like a splashy theatrical release but because in dragging the oft-told story into the 2020s, he finds a way to make it feel specific and culturally expansive.
